With Maxon’s powerful Capsules, artists can use tailor-made assets to enhance their projects.
The upgrade to Supercomp now provides more realistic and beautiful Light Wrap, Reverse Light Wrap and Diffusion effects with more creative control. Videographers can now create realistic lens flares based on simulated optical models and ray traced light, with an unprecedented amount of artistic control while creating the most realistic looking lens flares possible. It works exactly the same as in After Effects, with the same highly detailed level of customization. Real Lens Flares is now available in Premiere Pro. 
Added support for animated vertex deformation with motion blur in Redshift for Blender.Įditors can now add Real Lens Flares to any footage within Adobe Premiere Pro, and Supercomp now offers a more natural simulation of light, allowing editors to quickly match the specific conditions of a shot.General performance and stability updates for improved performance in 3DS Max, Cinema 4D and Houdini.Redshift CPU rendering is now faster in all host software packages, with significantly lower memory requirements (50% on average).
More realistic hair with nuanced settings for texture and shape variation can now be created with just a few clicks in the Material Manager while Redshift is active.
New material preset for Principled Hair added for Cinema 4D makes it even easier to get up and running with physically-based hair. Now 3DS Max users can easily apply different backplates for each camera, either in-render or as a post-effect, with robust frame fitting and adjustment options. Redshift Camera and Backplates are now available in Redshift for 3DS Max. Redshift is now available for the latest version of Maya on Windows machines, with support for other operating systems coming soon. 
Redshift 3.5.16 extends DCC support and features substantial improvements to memory management in Redshift CPU.
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